[et_pb_section admin_label=\u00bbsection\u00bb]
\n\t\t[et_pb_row admin_label=\u00bbrow\u00bb]
\n\t\t\t[et_pb_column type=\u00bb4_4″][et_pb_text admin_label=\u00bbText\u00bb]Suzanne Lebeau reflexiona a lo largo de estas p\u00e1ginas, de manera exhaustiva y profunda, sobre el camino que ha recorrido durante los \u00faltimos cuarenta a\u00f1os de pr\u00e1ctica creativa y profesional junto a su compa\u00f1\u00eda Le Carrousel. Nos sumerge, a trav\u00e9s de su metodolog\u00eda de investigaci\u00f3n-creaci\u00f3n, en su constante preocupaci\u00f3n por contarle el mundo a la infancia desde una perspectiva no autoritaria ni did\u00e1ctica, y sin renunciar al mismo tiempo a sus propias preguntas e inquietudes existenciales como creadora. En contra de la idea de censura, que tanto acecha en la creaci\u00f3n dirigida a edades tempranas, Lebeau basa el an\u00e1lisis de su extensa obra dramat\u00fargica en los conceptos de \u00abautoridad\u00bb, \u00abempat\u00eda\u00bb y \u00abmet\u00e1fora\u00bb; aquellos que le permiten reconstruir su labor como creadora. La autora canadiense examina sus textos teatrales a la luz de los datos que le ofrecen las reacciones de ni\u00f1as y ni\u00f1os, hasta llegar a Tres hermanitas, \u00faltimo trabajo en el que Lebeau se propone aunar las recepciones divergentes de p\u00fablicos infantiles y p\u00fablicos adultos. Un testimonio concienzudo e imprescindible de y \u2014al mismo tiempo\u2014 sobre la mayor creadora contempor\u00e1nea de teatro para la infancia; uno que nos llega a trav\u00e9s de sus propias palabras.[\/et_pb_text][\/et_pb_column]
\n\t\t[\/et_pb_row]
\n\t[\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Throughout these pages, Suzanne Lebeau reflects in an exhaustive and profound way on the path she has taken during the last forty years of creative and professional practice with her company Le Carrousel. Through her research-creation methodology, she immerses us in her constant concern to tell the world to children from a non-authoritarian and non-didactic perspective, and at the same time without renouncing her own existential questions and concerns as a creator. Against the idea of censorship, which lurks so much in creation aimed at early ages, Lebeau bases the analysis of her extensive dramatic work on the concepts of "authority", "empathy" and "metaphor"; those that allow her to reconstruct her work as a creator. The Canadian author examines her theatrical texts in light of the data offered by the reactions of girls and boys, until arriving at Three Little Sisters, the latest work in which Lebeau sets out to unite the divergent receptions of child audiences and adult audiences. A thorough and essential testimony by and about the greatest contemporary creator of theatre for children, one that reaches us through her own words.<\/p>","protected":false},"featured_media":24356,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"product_brand":[],"product_cat":[115],"product_tag":[82],"class_list":{"0":"post-8050","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-suzanne-lebeau","7":"product_tag-coleccion-ensayo","8":"infinite-scroll-item","9":"","10":"woocommerce-text-align-left","11":"woocommerce-image-align-center","12":"do-quantity-buttons","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"\n