{"id":4899,"date":"2017-04-06T16:23:48","date_gmt":"2017-04-06T15:23:48","guid":{"rendered":"https:\/\/www.assitej.net\/?post_type=product&#038;p=4899"},"modified":"2025-05-18T19:06:55","modified_gmt":"2025-05-18T17:06:55","slug":"boletin-iberoamericano-de-teatro-10","status":"publish","type":"product","link":"https:\/\/assitej.culturaescenica.es\/en\/editorial-assitej\/varios-autores-as\/boletin-iberoamericano-de-teatro-10\/","title":{"rendered":"Ibero-American Theater Bulletin 10"},"content":{"rendered":"<p><span id=\"bol9\" class=\"nr\">Ibero-American Theater Bulletin 10<\/span><br \/>\nIV INTERNATIONAL STUDY CONFERENCE ON THE ARTS<br \/>\nPERFORMING ARTS AND CHILDHOOD<\/p>\n<p>Presentation<\/p>\n<p>Speakers and participants<\/p>\n<p>CONFERENCES<\/p>\n<ul>\n<li>Inaugural Lecture: Theatre and Education\u2014An International Perspective. Yvette Hardie<\/li>\n<li>A house isn&#039;t built from the roof up. Children need theater. Valeria Frabetti<\/li>\n<\/ul>\n<p>ROUND TABLES<\/p>\n<p>Table 1. Educational and Cultural Institutions. Institutional Framework for the Performing Arts, Culture, and Education for Children and Youth.<br \/>\nTable 2. Experiences of collaboration between the Performing Arts and Education.<\/p>\n<ul>\n<li>How is the relationship between artists, educators, and managers structured? How is the relationship between artists, educators, and managers structured? Lola Lara<\/li>\n<li>The artist in the educational world. Pury Estalayo.<\/li>\n<li>ROCE. Assumpci\u00f3 Malagarriga<\/li>\n<li>GECA. Enrique G\u00e1mez Ortega<\/li>\n<li>The art of educating. Anabel Rueda<\/li>\n<\/ul>\n<p>Table 3. Training programs for children and young people. What have we learned from what we&#039;ve built together so far, and how can we continue?<\/p>\n<ul>\n<li>ACTA Company. Agnes Desfosses<\/li>\n<li>Anem al Teatre Program. Barcelona Provincial Council. Maite Serrat<br \/>\nWhat have we learned from what we have built together so far and how can we continue?<br \/>\nConcha Villarrubia del Valle<\/li>\n<\/ul>\n<p>COMMUNICATIONS<\/p>\n<ul>\n<li>Artistic training for early childhood education professionals. Carmen Garc\u00eda Velasco<\/li>\n<li>Improving through Fun: The Role of Classics in Educating Children and Young Adults. Esther Fern\u00e1ndez<\/li>\n<li>Our artistic union looks back on childhood. Omar Meza<\/li>\n<li>Fundamental Principles of the Theory and Practice of Musical Learning by Edwin Gordon. Toto Fabris<\/li>\n<li>The Peculiar Critique of Children&#039;s Theater. An Approach to a Systematic Approach to the Genre. Andr\u00e9s Molinari<\/li>\n<\/ul>\n<p>PROJECTS<\/p>\n<ul>\n<li>Andalusian Pedagogical Cabinet of Performing Arts\u2014GPAEA. Foundations, objectives, and degrees of viability. Francisco J. Corpas Rivera<\/li>\n<li>Cantania 1989\u20132014 \/ Cantania in Seville: 2012\u20132014. Participatory cantata project for primary school students. Pasi\u00f3n Ben\u00edtez Le\u00f3n<\/li>\n<\/ul>\n<p>CONCLUSIONS<\/p>\n<ul>\n<li>Conclusions. Nicol\u00e1s Morcillo Delgado<\/li>\n<li>Comments. Jos\u00e9 Roig Calatayud<\/li>\n<\/ul>\n<p>Conference Program<br \/>\nAcknowledgments<\/p>\n<p><a class=\"brnVerFicha\" href=\"http:\/\/assitej.culturaescenica.es\/wp-content\/uploads\/2011\/12\/BIT_10_web1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download Ibero-American Theater Bulletin 10<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p><a class=\"brnVerFicha\" href=\"http:\/\/assitej.culturaescenica.es\/wp-content\/uploads\/2011\/12\/BIT_10_web1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download Ibero-American Theater Bulletin 10<\/a><\/p>\n<p>IV INTERNATIONAL STUDY CONFERENCE ON THE ARTS<br \/>\nPERFORMING ARTS AND CHILDHOOD<\/p>\n<p>Presentation<\/p>\n<p>Speakers and participants<\/p>\n<p>CONFERENCES<\/p>\n<ul>\n<li>Inaugural Lecture: Theatre and Education\u2014An International Perspective. Yvette Hardie<\/li>\n<li>A house isn&#039;t built from the roof up. Children need theater. Valeria Frabetti<\/li>\n<\/ul>\n<p>ROUND TABLES<\/p>\n<p>Table 1. Educational and Cultural Institutions. Institutional Framework for the Performing Arts, Culture, and Education for Children and Youth.<br \/>\nTable 2. Experiences of collaboration between the Performing Arts and Education.<\/p>\n<ul>\n<li>How is the relationship between artists, educators, and managers structured? How is the relationship between artists, educators, and managers structured? Lola Lara<\/li>\n<li>The artist in the educational world. Pury Estalayo.<\/li>\n<li>ROCE. Assumpci\u00f3 Malagarriga<\/li>\n<li>GECA. Enrique G\u00e1mez Ortega<\/li>\n<li>The art of educating. Anabel Rueda<\/li>\n<\/ul>\n<p>Table 3. Training programs for children and young people. What have we learned from what we&#039;ve built together so far, and how can we continue?<\/p>\n<ul>\n<li>ACTA Company. Agnes Desfosses<\/li>\n<li>Anem al Teatre Program. Barcelona Provincial Council. Maite Serrat<br \/>\nWhat have we learned from what we have built together so far and how can we continue?<br \/>\nConcha Villarrubia del Valle<\/li>\n<\/ul>\n<p>COMMUNICATIONS<\/p>\n<ul>\n<li>Artistic training for early childhood education professionals. Carmen Garc\u00eda Velasco<\/li>\n<li>Improving through Fun: The Role of Classics in Educating Children and Young Adults. Esther Fern\u00e1ndez<\/li>\n<li>Our artistic union looks back on childhood. Omar Meza<\/li>\n<li>Fundamental Principles of the Theory and Practice of Musical Learning by Edwin Gordon. Toto Fabris<\/li>\n<li>The Peculiar Critique of Children&#039;s Theater. An Approach to a Systematic Approach to the Genre. Andr\u00e9s Molinari<\/li>\n<\/ul>\n<p>PROJECTS<\/p>\n<ul>\n<li>Andalusian Pedagogical Cabinet of Performing Arts\u2014GPAEA. Foundations, objectives, and degrees of viability. Francisco J. Corpas Rivera<\/li>\n<li>Cantania 1989\u20132014 \/ Cantania in Seville: 2012\u20132014. Participatory cantata project for primary school students. Pasi\u00f3n Ben\u00edtez Le\u00f3n<\/li>\n<\/ul>\n<p>CONCLUSIONS<\/p>\n<ul>\n<li>Conclusions. Nicol\u00e1s Morcillo Delgado<\/li>\n<li>Comments. Jos\u00e9 Roig Calatayud<\/li>\n<\/ul>\n<p>Conference Program<br \/>\nAcknowledgments<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"featured_media":24345,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"product_brand":[],"product_cat":[2697],"product_tag":[123],"class_list":{"0":"post-4899","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-varios-autores-as","7":"product_tag-boletin-iberoamericano","8":"infinite-scroll-item","9":"","10":"woocommerce-text-align-left","11":"woocommerce-image-align-center","12":"do-quantity-buttons","14":"first","15":"outofstock","16":"downloadable","17":"virtual","18":"taxable","19":"purchasable","20":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bolet\u00edn Iberoamericano de Teatro 10 - ASSITEJ Espa\u00f1a<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/assitej.culturaescenica.es\/en\/editorial-assitej\/varios-autores-as\/boletin-iberoamericano-de-teatro-10\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bolet\u00edn Iberoamericano de Teatro 10 - ASSITEJ Espa\u00f1a\" \/>\n<meta property=\"og:description\" content=\"Descargar Bolet\u00edn Iberoamericano de Teatro 10  IV JORNADAS INTERNACIONALES DE ESTUDIO SOBRE LAS ARTES ESC\u00c9NICAS Y LA INFANCIA  Presentaci\u00f3n  Conferenciantes y participantes  CONFERENCIAS   Conferencia inaugural: Una mirada internacional a las artes esc\u00e9nicas y la educaci\u00f3n (Theatre and Education\u2014An international perspective). Yvette\u00a0 Hardie  Una casa no se construye por el tejado. Los ni\u00f1os necesitan teatro. Valeria Frabetti  MESAS REDONDAS  Mesa 1. Instituciones de Educaci\u00f3n y Cultura. Marco institucional entre las Artes Esc\u00e9nicas, la Cultura y la Educaci\u00f3n para la Infancia y la Juventud. Mesa 2. Experiencias de colaboraci\u00f3n entre las Artes Esc\u00e9nicas y la Educaci\u00f3n.   \u00bfC\u00f3mo se articula la relaci\u00f3n entre artistas, educadores y gestores? \u00bfC\u00f3mo se articula la relaci\u00f3n entre artistas, educadores y gestores? Lola Lara  El artista en el mundo educativo. Pury Estalayo.  ROCE. Assumpci\u00f3 Malagarriga  GECA. Enrique\u00a0 G\u00e1mez Ortega  El arte de educar. Anabel Rueda  Mesa 3. Programas de formaci\u00f3n de p\u00fablico infantil y juvenil. \u00bfQu\u00e9 hemos aprendido de lo construido en com\u00fan hasta ahora y c\u00f3mo continuar?   Compa\u00f1\u00eda ACTA. Agnes Desfosses  Programa Anem al Teatre. Diputaci\u00f3n de Barcelona. Maite\u00a0 Serrat \u00bfQu\u00e9 hemos aprendido de lo construido en com\u00fan hasta ahora y c\u00f3mo continuar? Concha Villarrubia del Valle  COMUNICACIONES   La formaci\u00f3n art\u00edstica en los profesionales de la educaci\u00f3n infantil. Carmen Garc\u00eda\u00a0 Velasco  Mejorar divirtiendo: el papel de los cl\u00e1sicos en la formaci\u00f3n del p\u00fablico infantil y juvenil. Esther\u00a0 Fern\u00e1ndez  Nuestra uni\u00f3n art\u00edstica mira hacia la infancia. Omar Meza  Principios fundamentales de la teor\u00eda y la praxis del aprendizaje musical de Edwin Gordon. Toto\u00a0 Fabris  La peculiar cr\u00edtica del teatro infantil. Aproximaci\u00f3n a una sistem\u00e1tica del g\u00e9nero. Andr\u00e9s Molinari  PROYECTOS   Gabinete Pedag\u00f3gico de las Artes Esc\u00e9nicas de Andaluc\u00eda\u2014GPAEA. Fundamentos, objetivos y grados de viabilidad. Francisco J. Corpas Rivera  Cantania 1989\u20132014 \/ Cantania en Sevilla: 2012\u20132014. Proyecto de cantata participativa para escolares de primaria. Pasi\u00f3n Ben\u00edtez Le\u00f3n  CONCLUSIONES   Conclusiones. Nicol\u00e1s\u00a0 Morcillo Delgado  Comentarios. Jos\u00e9 Roig Calatayud  Programa de las Jornadas Agradecimientos  &nbsp;  &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/assitej.culturaescenica.es\/en\/editorial-assitej\/varios-autores-as\/boletin-iberoamericano-de-teatro-10\/\" \/>\n<meta property=\"og:site_name\" content=\"ASSITEJ Espa\u00f1a\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/assitejespana\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-18T17:06:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/assitej.culturaescenica.es\/wp-content\/uploads\/Boletin10_001-png.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"369\" \/>\n\t<meta property=\"og:image:height\" content=\"539\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@AssitejEspana\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/assitej.culturaescenica.es\/es_es\/editorial-assitej\/varios-autores-as\/boletin-iberoamericano-de-teatro-10\/\",\"url\":\"https:\/\/assitej.culturaescenica.es\/es_es\/editorial-assitej\/varios-autores-as\/boletin-iberoamericano-de-teatro-10\/\",\"name\":\"Bolet\u00edn Iberoamericano de Teatro 10 - 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Yvette\u00a0 Hardie  Una casa no se construye por el tejado. Los ni\u00f1os necesitan teatro. Valeria Frabetti  MESAS REDONDAS  Mesa 1. Instituciones de Educaci\u00f3n y Cultura. Marco institucional entre las Artes Esc\u00e9nicas, la Cultura y la Educaci\u00f3n para la Infancia y la Juventud. Mesa 2. Experiencias de colaboraci\u00f3n entre las Artes Esc\u00e9nicas y la Educaci\u00f3n.   \u00bfC\u00f3mo se articula la relaci\u00f3n entre artistas, educadores y gestores? \u00bfC\u00f3mo se articula la relaci\u00f3n entre artistas, educadores y gestores? Lola Lara  El artista en el mundo educativo. Pury Estalayo.  ROCE. Assumpci\u00f3 Malagarriga  GECA. Enrique\u00a0 G\u00e1mez Ortega  El arte de educar. Anabel Rueda  Mesa 3. Programas de formaci\u00f3n de p\u00fablico infantil y juvenil. \u00bfQu\u00e9 hemos aprendido de lo construido en com\u00fan hasta ahora y c\u00f3mo continuar?   Compa\u00f1\u00eda ACTA. Agnes Desfosses  Programa Anem al Teatre. Diputaci\u00f3n de Barcelona. Maite\u00a0 Serrat \u00bfQu\u00e9 hemos aprendido de lo construido en com\u00fan hasta ahora y c\u00f3mo continuar? Concha Villarrubia del Valle  COMUNICACIONES   La formaci\u00f3n art\u00edstica en los profesionales de la educaci\u00f3n infantil. Carmen Garc\u00eda\u00a0 Velasco  Mejorar divirtiendo: el papel de los cl\u00e1sicos en la formaci\u00f3n del p\u00fablico infantil y juvenil. Esther\u00a0 Fern\u00e1ndez  Nuestra uni\u00f3n art\u00edstica mira hacia la infancia. Omar Meza  Principios fundamentales de la teor\u00eda y la praxis del aprendizaje musical de Edwin Gordon. Toto\u00a0 Fabris  La peculiar cr\u00edtica del teatro infantil. Aproximaci\u00f3n a una sistem\u00e1tica del g\u00e9nero. Andr\u00e9s Molinari  PROYECTOS   Gabinete Pedag\u00f3gico de las Artes Esc\u00e9nicas de Andaluc\u00eda\u2014GPAEA. Fundamentos, objetivos y grados de viabilidad. Francisco J. Corpas Rivera  Cantania 1989\u20132014 \/ Cantania en Sevilla: 2012\u20132014. 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